RAE’S READS

  • As the book’s cover says, “One summer can change your whole life”, and Frank Viva in his texts and “toons” proves it can change the individual as well. Sea Change, a children’s book written and illustrated by Frank Viva, is one of the best “reads” I’ve ever been able to get through in one day. More a coming-of-age (both physically and maturity-wise)story, than a children’s book, the story deals with Eliot, a twelve year old boy. It is a chapter book, but also aimed at “the visual learner” by Toons Graphics.  It is cartoonish, but in an artsy way.

    Eliot is upset that his parents plan for him to spend summer in Port Aconi, Nova Scotia, with his Great Uncle Earl, in a tiny fishing village where Uncle Earl is a professional fisherman living in an old house. The first friend he makes is Happy, Uncle Earl’s dog, who connects to the feeling-sorry-for-himself Eliot. He gradually does make new friends, including Mary Beth, who gives him his first-ever kiss.

    Many of the scenes are told by graphic drawings; for example, the time the fishermen see the Great White Shark impresses the reader with the size of the creature and the danger of the situation. The lines of text often swirl and move all over the page as one reads, but never to the point where the reader loses the continuity or “loses his place” and has to re-read.

    During the course of the summer, Eliot discovers Uncle Earl’s “hidden library” and shares his time there with a younger new friend, Timmy. Eliot learns a lot from Timmy, and Timmy idolizes Eliot. Problems arise, of course, in the form of juvenile delinquent, Donnie, and the fact that Eliot can’t swim and is afraid of spiders and thunderstorms.  “Old Miss Gifford,” a school teacher, manages to fix all the problems, including the very adult one of child abuse. The lesson children learn from this book is, “Tell an adult!”

    The most interesting part of the book is the change this one summer brings about in Eliot. On the flight to Nova Scotia, the stewardess treats Eliot as the little boy that he is, giving him plastic pilot’s wings and inviting him to the cockpit to meet the pilot. Eliot’s reaction is a little boy’s–delight and glee at both.  On the flight home, the same stewardess sees a pensive, almost troubled individual, whom she does not recognize and addresses Eliot as “young man;” for indeed over the single summer Eliot has grown up.

  • The two books I read this past week are both love stories from a child’s point of view but with very different messages and very different viewpoints.

    The first, The Day I Became a Bird, written by Ingrid Chabbert and illustrated by Guridi, a Spanish artist, was published in 2016 by Kid’s Can Press.  It is a very special book. The story goes: Boy meets girl and wants to catch her eye.  Girl cares about nothing but birds, “…There are birds on her pants and dresses.  She wears birds barrettes in her hair.  She draws birds on her notebooks and folders.  And when she speaks, her voice sounds like birdsong.” So, the boy makes a bird costume and wears it to school despite all the teasing and hard-to-maneuver times, for he has eyes for her. Then, attracted by the costume, their eyes meet, and the rest is a beautiful story of young(est) love.  Done in greys and blacks on beige paper, the drawings, and especially the grey cover are simply lovely and convey the gentleness and guilelessness of the story.

    The Tadpole’s Promise, on the other hand, published in 2005 in the US; 2003 in Britain, by Jeanne Willis and illustrated by Tony Ress, is downright depressing.  Or maybe it was me; I was a bit “down” the day I read it. It is the story of a tadpole and a caterpillar who leans out over the pond on a blade of grass.  Their eyes meet, and they fall in love. The caterpillar makes the tadpole promise he will never change, as she calls him her “shiny black pearl,” and he agrees to his “beautiful rainbow” (Her stripes are multi-colored). He promises with good intentions, but breaks his promise three times as he goes through the development of a tadpole into a young frog.  She is broken hearted and is so sad, she breaks off the romance and crawls into a cocoon. You guessed it!  They both change and no longer recognize each other.  As a butterfly, she glides over the pond, the frog zaps out his tongue and swallows her! The depressing ending has the frog sitting on a lily pad, longing for his “beautiful rainbow” and waiting, waiting, waiting…

    Two very different endings. Two very different emotions conveyed. Both worth reading for the illustrations alone.

  • Back in the summers of ’83 and ’84, I had the opportunity to lead a workshop on teaching poetry to a group of fourth through sixth grade teachers from small schools all over Texas. My theme song throughout this workshop was that nothing kills an appreciation or love of poetry quicker than arranging it as a “poetry unit”. To me, poetry should be an integral part of the curriculum, not only the language arts curriculum, but the entire academic curriculum.  I feel that poetry is felt most effectively when it occurs spontaneously, ingeniously, and naturally.

    In the elementary school, especially, the recognition or celebration of occasions can be marked through poems of occasion.  Although much bad poetry has been written about “Holidays, “some good holiday poems exist.  However, merely remarking on what day it is we are celebrating and then reading the poem seems rather artificial and an isolated way of presenting the poem. Ideally, the poem can be integrated into the activities and assignments for the day.

    For example, our sixth grade language arts class used a basal reader which had a story about Abraham Lincoln which described Lincoln’s early relationship with his stepmother as she cut his hair, but it also explored how she influenced his love of books and reading.  I saved this story for February twelfth and supplemented it with anecdotes and jokes from The Abe Lincoln Joke Book, a scholastic publication. It also included a poem by Eve Mirriam that I feel gives the students a sense of the persona of Lincoln and what the appropriate child’s response to it might be.

    To Meet Mr. Lincoln

    If I lived at the time

    That Mr. Lincoln did,

    And I met Mr.Lincoln

    With His stovepipe lid

    And his coal black cape

    And his thundercloud beard,

    And worn and sad-eyed

    He appeared:

    “Don’t worry Mr. Lincoln,”

    I’d reach up and pat his hand,

    “We’ve got a fine President

    For this land;

    And the union will be saved.

    And the slaves go free;

    And you will live forever

    In our nation’s memory.”

     

    Not only can the traditional occasions be celebrated, but also the lesser known, everyday ones will lend a light note to a sometimes dreary week.  One year on a calendar of trivia, I spotted the birthday of the Earl of Sandwich.  It came up right after a week of testing–the perfect time for some relief.  The entire class brought peanut butter sandwiches for lunch that day.  One of the mothers had baked a decorated birthday cake, complete with candles.  After our makeshift lunch in the cafeteria, we sang Happy Birthday, and when we got to the line, “Happy Birthday, Earl of Sandwich,” the other children began to “Who?” like a chorus of owls.

    Other activities back in the classroom involved writing How-To paragraphs on “How to Make a Peanut Butter and Jelly Sandwich” and a reading of Shel Silverstein’s poem, “Peanut Butter Sandwich.” It tells of the king who loves peanut butter sandwiches, but his jaws locked and he couldn’t speak because the peanut butter stuck to the roof of his mouth. As I read the poem, each student was eating half a dry, peanut butter sandwich.  They listened to such lines as “Oh darn that sticky peanut butter sandwich!” Very few of the students, after chewing and chewing, had the same response the king did when his jaws were finally pulled apart, “The first word they heard him speak/Were, How about another peanut butter sandwich?”  Instead, I heard many pleas asking, “May I get a drink of water?”

    Poetry, whether for an occasion or celebration can give students many memorable moments. You can write a limerick about each child, using his name, or like this one  I wrote about my Kid’s class in Reading Improvement.

    There once was a class called reading,

    And to Mrs. Longest we’re pleading,

    Please no more tests;

    We have done our best,

    So, tell us what else you are needing.

     

     

  • This has been a strange weather day.  The tree pollen has us trapped inside with “seasonal” allergies, the temperature is in the mid to high seventies, and it is overcast and dreary with storms predicted for late tonight and tomorrow (around going to school time, naturally). However, it is the perfect day/evening  for reading and for the Sunday Houston Chronicle,  which I have read from “cover to cover.”

    What I have finished this last week:

    Paper Hero by Leon Hale, reviewed in “Recent Reads” the other day and The Lowlands,same review.

    What I am continuing to read:

    Racing in the Rain, which I’ve had to set aside to finish borrowed library books; the same for Girl in Translation. Gee, I hope I don’t have to read  too much over again when I do pick these up again!

    Started and almost finished: Lillian Boxfish Takes A Walk by Kathleen Rooney, checked out from the library after I saw it on a friend’s blog, Readerbuzz.  I am really “into” it, perhaps because it is one of the few books where the protagonist/heroine is older than I am.

    Looking forward to reading:

    Church of the Dog recommended by a friend who works at the library in Alvin. I suspect either it’s told from the Dog’s point of view (like Racing in the Rain) or somebody’s dyslexic. She was busy and didn’t say.

    James Lee Burke’s Dixie City Jam, sent by a book buddy relative in North Carolina when I told her how much I had enjoyed Wayfaring Stranger and Jealous Heart. She had been reading  this one and sent it as soon as she had enough books she’d read to “fill a box.”

    So, I have lots to read and lots to do as we approach mid-term and the start of another round of the Kid’s class, then mercifully, Spring Break.  My Better Half has taxes to look forward to, and with his help, I intend to work in the yard.  Tomorrow’s rains ought to soak in the fertilizer I sprinkled around today, then there’s hope for sunshine the rest of the week to make the plants bloom and grow.

  • These quotes really resonated with me.  I hope you will enjoy them too.  They are not arranged in any particular order.

    “Writing is a kind of revenge against circumstances too: bad luck, loss, pain.  If you make something out of it, then you’ve no longer been bested by these events.”    Louise Gluck (author and poet, born 1943)

    From my text in my Advanced Writing Class On Writing Well 31st anniversary edition by William Zinsser: “[This] thing is true of writers.  Sell yourself and your subject will exert its own appeal.  Believe in your own identity and your own opinions.  Writing is an act of ego, and you might as well admit it.  Use its energy to keep yourself going.” p.23

    “I express myself with my friends and family.  Novels are not about expressing oneself, they’re about something beautiful, funny, clever and organic.  Self expression? Go and ring a bell in the yard if you want to express yourself.” Novelist Zadie Smith

    “Good writing is always about things that are important to you, things that are scary to you, things that eat you up.” John Edgar Wideman, writer

    “Writers are driven by compulsion to put some part of themselves on paper…” Zinsser

    Contrasting views? Yes.  Conflicting ones? Maybe not.  Thoughts?

  • Monday morning fell on a Wednesday this morning, primarily because my total thoughts, actions and life has been busy thinking about and preparing for My Better Half’s birthday yesterday.  It was a celebration for two, but involved cooking his favorite meal and was full of many gifts and greetings from family and friends.

    Again I’ve been browsing through my old Graduate School poetry anthology, and tucked into the back was a folded piece of paper, an old essay test.  It consisted of one question, “What is Poetry?” As was my habit many times on compositions, I turned the theme into something I thought the professor would pause over and wrote the following:

    What Poetry Is Not

    Poetry is not “an expression of pure emotion,” a definition I learned in high school. It does deal with emotion…sometimes. It is not the beautiful statement of some high truth. Instead, it is that truth itself–with decorations.  It is not always fine sentiments in fine language, but sometimes lowdown sentiments expressed in gutter language.  Poetry is not something separate from ordinary life.  What “makes” it poetry  is not separate from the busyness of living.The matters with which poetry concerns itself are what matters to ordinary people. Poetry is not just a bundle of things poetic in themselves, a list of “My Favorite Things, Raindrops on roses and whiskers on kittens…” Part of what makes a poem a poem is what holds these things together in a meaningful relationship as opposed to a collection of pleasing items. On the other hand, poetry is not just a group of mechanically combined elements…meter, rhyme, figurative language, etc.  The relationship among these elements is important.  They must work together to impart a specific impression, feeling, sense of things to the reader.

    The poet makes the “familiar strange and the strange familiar.” Perhaps with John Ciardi, our textbook author, we should ask not, WHAT does a poem mean, but HOW does a poem mean? How does it go about being a human re-enactment of a human experience?  A poem  is an expression of a moment of pure realization of being that brings to the reader in a vivid way some scene or sensation…but it is more than that. Almost always a writer conveys information, but he conveys an attitude toward and a feeling about that information.  The poet becomes the translator  and the transmitter of experience to others. By choosing and shaping words, by selecting and presenting images, the poet forms the verbal object that captures and imparts his contact/confrontation with Nature/God/Reality.  The poem itself exists as a bridge between the reader and the Cosmos.

  • The Lengle book is titled Many Waters.  Thanks for catching that, guys.

  • The following books are “assigned” for the next quarter of the PWR (Powerful Women Readers) on-line book club.  All are available at public libraries and  second hand or new through Amazon. All except Sea Change are available in paperback. I chose these three books because they were all on my TBR (To be read) shelf in my book closet.  I have been wanting to read these books for a long time.  Some come recommended by friends, others by other book clubs.  You should pick one of the three to read by our next get-together which should be in approximately three months.Get a copy or copies and get started this weekend.

    Let’s begin with Sea Change by Frank Viva, a prominent artist and designer who lives in Toronto.  This is a children’s book that is not your usual children’s book, nor is it illustrated like conventional children’s books.  Looking at the cover and speculating about the very adult topic was enough to cause me to purchase it at Half Price Books.  I will read it first and will loan out my copy to borrow.

    Memoirs of a Geisha by Arthur Golden has been read and discussed by many book clubs worldwide. This novel was published in 1997 and is rapidly becoming a classic, primarily because so many people have read it. It lets us peek into another culture and another time so unlike our own that reading it is bound to be an illuminating experience.

    The final book is by one of my favorite science fiction writers, Madeline Engle (author of A Wrinkle in Time).   It tells of the continuing adventures of the Murry family AFTER the famous trilogy, A Wrinkle in Time, A Wind in the Door, and A Swiftly Tilting Planet (All of which I’ve read and have been blown away by) ends.  It can be read as a stand alone, but for readers of the trilogy and other Lengle books, familiar characters appear and reappear like old friends and relatives of favorite characters in the first three books.

    I hope you will be happy with these choices.  Please advise if you cannot obtain copies somewhere.

    Friends of PWR are encouraged to join us on line and to comment on the three books as they are discussed and reviewed in the coming quarter.

    Let’s stretch and read some books we’ve been meaning to read or wanted to read but haven’t gotten around to yet.

    Happy Reading!

    RAE

  • Here are brief reviews of two books I finished last week, both worth investing our precious reading time in:

    Paper Hero,by Leon Hale, a local humorist and colorist, was a re-read and was originally an “assignment” for the Third Tuesday Book Club.  Wanting something “Christmassy” last Christmas, we all agreed we’d enjoyed Paper Hero enough to read Hale’s essays, collected under the title One Man’s Christmas.  This led me to  revisit  Paper Hero to remind myself of Hale’s childhood and journalism background, and I’m glad I made the journey.

    Paper Hero,a memoir or autobiography starts out in Hale’s childhood.  It was during the depression, and Hale’s father was a traveling salesman, trying hard to feed his family.  Because of frequently getting laid off, Hale’s father moved his family around from rent house to rent house, frequently. Like many people during the depression, although the family lived in the city, they kept a cow and chickens, plus had a garden .  Early on Hale got a job throwing newspapers, thus the title, Paper Hero. His description of his college days (on a scholarship) describes him finding out what he was good at.  Like many young men of his era, WWII interrupted his life for several years. He was in combat and eventually was (before there was such a thing) an embedded Journalist for a paper.  He goes on to describe his earliest jobs at  the Houston Post, then at the Houston Chronicle, when the Post folded.  This is where our group had first met him, as a columnist whom we would never mis reading.  Once in a while he will still (He is in his 90s) write a guest column ,or the Chronicle will re-run one of his classic columns. His columns are hilarious at times and always warm and touching.  His autobiography is the same.

    Jhumpa Lahiri is responsible for the fine film,The Namesake, so when I read about The Lowland,a National Book Award finalist published in 2013, I ordered a copy.  I was not disappointed.  Her novel tells (in her particularly beautiful storytelling style) the tale of two Indian brothers, born very close together and together in every undertaking whether it be mischief or scholarly pursuits. Subbhash, the elder is quiet, a serious scholar and totally apolitical.  Udayan, the younger, is rash, a risk taker, very political, and the favored son of the boys’  mother. While Subbash is studying  and teaching in America, Udayan, like many Indian students of the time, fights with a radical political party, taking dangerous assignments even though he has taken a wife, Gauri.  Udayan is executed, and against the wishes of his parents, Subbash weds Udayan’s pregnant wife and relocates her to Providence, RI.

    Beautiful writing is present throughout this engrossing novel with the lowlands, “…dark, dank, weedy places that haunt out lives,” first in India, then in Providence, become  a metaphor for the lives of the characters as well as the plot of the novel.  It has been said of Lahiri, she “…spins the globe and comes full circle.” The twists and turns of the plot and the memorable characters she creates allow her to do just that in this fine novel.

  • Returning to an old classic, Ciardi’s “How Does a Poem Mean?”, good figurative language is concrete, condensed and, above all interesting. It has a precision and vividness absent from everyday language. A paraphrase of a poem will almost always have more words and less impact than the original. The most effective metaphors are fresh, not outworn cliches. They conjure up pictures and other sensory recollections of sounds, smells, tastes. Since thoughts occur as pictures or images, not couched in words, the multitude of shifting images and pictures called up by words is a natural process.

    Dramatically, a metaphor is an indirect comparison where a simile is a direct one. “He was a colt running across the meadow” is more direct than “He ran like a colt across the meadow.” A metaphor can be a one-line comparison or an overall comparison sustained throughout a longer piece.  This imagery becomes a wider term than metaphor; it is the “total sensory suggestion of poetry” (Ciardi). For example, Hawthorne’s novel The Blythedale Romance is saturated with a sense of illusion which several metaphors help to sustain. The theme of concealment of thoughts, emotions, and deeds reigns throughout and is paralleled by the concealment feature of the snow and the snowstorms. Thus, the snow image joins veils, masquerades, and mesmerisms and clairvoyance as major metaphors in the novel. The snow asserts its presence as a white veil (like that of the veiled lady) which adds to the mystery and ambiguity of the novel and the events which occur in it.

    Metaphor, whether in poetry or in novels, is a powerful tool the poet/novelist can use to aid the reader in his search for meaning.  When used well, this tool makes the poem/novel clearer and denser at the same time; it clarifies or mystifies. Metaphor or metaphoric language sums up the importance of figurative language in general.  As Robert Frost wrote, ” Poetry provides the one permissible way of saying one thing and meaning another.”